
We are very excited to premiere “Devil and the Deep Blue Seethe” at Sound Symposium XXII, on Thursday July 16th at the LSPU Hall. Thank you to Nicole Lizée for writing this incredibly cool new work for us!

We are very excited to premiere “Devil and the Deep Blue Seethe” at Sound Symposium XXII, on Thursday July 16th at the LSPU Hall. Thank you to Nicole Lizée for writing this incredibly cool new work for us!

Kate and Michelle were honoured to receive the Gerry Porter Award for Creative Improvised Music at Sound Symposium XXI. This award commemorates Gerald C. Porter (1962-2016), a talented visual artist, designer, and humorist who made an indelible impact on the arts scene of St. John’s, Newfoundland, his hometown. Gerry loved boundary-pushing music and was part of the planning for this award.
The Gerry Porter Award for Creative Improvised Music consists of a $1000 prize, and is intended for an individual, group or organization based in Newfoundland and Labrador that produces or supports challenging music created by the will and spirit of the practitioner, known as creative improvised music. All genres of music are eligible, as long as they meet the key criteria of creative improvisation.

Loopstitch is camping out at Lawnya Vawnya headquarters as the festival's artists-in-residence, March 2024! We're super excited to share what we come up with during this residency

Loopstitch hit the west coast for the Freeze Brain experimental electronic music festival in Corner Brook, February 2024

Hold Fast contemporary arts festival is one of the coolest events of St. John's summer! We were so happy to play at their opening night event with Riddle Fence.

Thanks for the good times, Ontario! Loopstitch was happy to play at the Canadian Music Centre in Toronto inn support of Kate's solo album After on August 2nd, and Electric Eclectics in Meaford on August 4th.

Massive congratulations to Kate on the release of her first solo album, After, on Leaf Music, released November 18, 2022. Artfully mixing Baroque repertoire with experimental electronics, After delivers a stirring mix of antiquity and modernity from one of Newfoundland’s most in-demand violists. Read takes listeners on a journey that entwines the purity of Bach with the chaos of electronic improvisation in ways equally surprising and satisfying. She’s joined on the last track, "Aftermath," by award-winning audio engineer Michelle LaCour, whose improvisational synth stabs and found effects provide a counterpoint to Read’s modern interpretation of Bach. After features two new commissions by composers Andrew Staniland and Benton Roark.
Pre-order After on the Leaf Music website
Listen to Kate's interview with Mark Wigmore on Classical FM